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In the last 30 days the archive has grown by 65 new artefacts, 12 new members, 11 new people and places.
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5 Oct 2025

Artefact of the day

Other
1979
Added 20th September 2021
by IanTatlock
The following excellent description was meticulously researched and written by Ilze Frey and can be found on her Instagram account (@ilze_frey):

'Vox Phantom VI Special - the iconic white pentagonal-shaped guitar that Ian Curtis played in Love Will Tear Us Apart video. A British-made guitar, it featured in-built effects (such a fuzz and repeat percussion) which were operated by push buttons. Ian used it from September 1979. The push-button effects helped shape Joy Division’s sound and Ian’s emergence as a guitar player also freed up Bernard to experiment with synthesizers. It was used on Joy Division’s 1980 European tour, on the recording of Heart and Soul, as well as later on New Order’s Everything’s Gone Green.

Following Ian’s death, the guitar was passed on to his band mate Bernard, and then to Ian’s daughter Natalie. It has also been in the possession of Johnny Marr, who formed Electronic with Bernard in 1988.

Natalie, a professional photographer, was just one year old when Ian committed suicide aged 23 in 1980. She said in a statement: “The guitar came to me at a time in my life when I was keen to learn more about my late father. I’m not at all musical, yet it is fascinating to see my father’s guitar, I mean, it’s such a personal thing. Since I’m a visual person, the Phantom is especially interesting to me, as the design is rather unusual. I grew up around and have worked with musicians, and although I’ve seen a lot of guitars, I’ve never seen anything like this. From everything I’ve been told about my father, he was very obsessed with how things looked, and so to me the Phantom makes sense as it very much feels like Ian Curtis’s guitar.”

The guitar was sold at an auction to a private collector in October 2020. It was expected to fetch around £60,000-80,000 but was sold for staggering £162,563. This is the first time in 30 years the guitar is on a major public display. ‘Use Hearing Protection’ Factory Records exhibition is currently on at the Science and Industry Museum in Manchester.'

Photographs were taken at the fabulous Factory records 'Use Hearing Protection' exhibition at Manchester's Museum of Science and Industry.

From the museum's website: "This special exhibition tells the story of Factory Records' formative years from 1978 to 1982, and how their innovative work in music, technology and design gave Manchester an authentic voice and distinctive identity. Founded by Tony Wilson and Alan Erasmus, the label played an influential part in the city's transformation from an industrial powerhouse to a beacon of art and culture.

See the first 50 artefacts from the official Factory catalogue, including creations from Joy Division, New Order and The Durutti Column, as well as graphic designs by Peter Saville, previously unseen items from the Factory archives, and objects loaned from the estates of both Tony Wilson and Rob Gretton, the former manager of Joy Division and New Order. Also on public display for the first time in 30 years is Ian Curtis’s Vox Phantom guitar, played live and featured in the official Love Will Tear Us Apart video.

Immerse yourself in the world of Factory Records and experience a night out like no other with our tribute to The Factory night at the Russell Club. Just plug in and play—bring your own headphones and create your own unique versions of iconic tracks with our synthesizer and mixing desk. Explore how the city lived and how music brought people together with crowdsourced photographs from the People’s Archive.

Use Hearing Protection: The early years of Factory Records is a new exhibition, reinterpreting the display hosted at Chelsea Space, London in 2019. The development of new content for Use Hearing Protection: The early years of Factory Records was carried out by the Science and Industry Museum with the support of Jon Savage and Mat Bancroft, and Stuart Wheeley at Warner Music UK."

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Latest Discussion

“Amazing and as a set ridicuously rare. I have a paltry 400 pound in readies, chief- if anyone has a set in decent condition to sell!”
21 Sep
“Wow”
18 Sep
“I left MCR in 96 and it was before that. Changed to 95 but still only guessing.”
16 Sep
“No sweep. Of course. Cold as ice , cool as a shave.”
14 Sep
“Again, pretty sure this was a bit later - don't think Generation X opened until 96 at least?”
12 Sep
“Much more likely to be 1997; April 26th 1994 was a Tuesday”
12 Sep
“Thanks for adding this! I was at this gig and I remember it as absolutely electrifying. I don't recall the jeering lads or the screaming girls, but I do recall the febrile, almost hysterical atmosphere. I was right down the front, second row and it was quite difficult to stay on my feet as the lads deliberately lurched from side to side and pressed forward so hard I thought they'd break my ribs. Going to gigs as a young woman in those days was quite challenging - men always took the opportunity to feel you up when you were penned in the crowd and unable to move your arms to give them a slap! But despite the usual nonsense from the lads in the audience, I remember stumbling out onto Oxford Street feeling completely intoxicated, and as if I could die happy that very night (I was 20!)”
10 Sep
“Get in Paul!”
06 Sep
“Thanks Chris, duly edited!”
04 Sep
“This is actually from 1993: see the Melody Maker gig guide here, which lists the Medicine gig (which I was at) https://cranberriesworld.com/wp-content/uploads/2021/04/1993.02.20-Melody-Maker.pdf”
04 Sep

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5 Oct 2025

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